New Favorite Friendship: Ryan and Anne, Go On
If at this time this year you had told me that there would be a middle-aged lesbian on my television, let alone on a show with as much diversity as Go On, and that she’d be handled well, I’d have asked what crazy optimism drugs you were on and where I could get me some. But Go On has really steadily delighted me this year, way more than I thought it would. Not only does Ryan feel very different from Chandler (something I needed from Matthew Perry but wasn’t sure I’d ever get), but his friendship with Anne is exactly what this show needs. Because healing through therapy two sides, really. (And oh, as someone who’s been in therapy over 75% of my life, I could write odes to how well psychological conflict is handled in this show.) There’s the blind, almost childlike belief needed to make a leap of faith that the rest of the group represents, but there’s also always that cynicism and grounded practicality that most of us have trouble letting go of. And watching Ryan and Anne not just fall headfirst into accepting every bit of feel-good advice Lauren dispenses is what makes this show work so well and keeps grounded instead of veering to the saccharine.

The “This Has Gone On Too Long” Award: Barney and Robin, How I Met Your Mother
Normally when it comes to TV relationships I am all about the slow burn. Bring it! Make me suffer!  Pining is great! But Barney and Robin have been jerking us around for seasons, and on top of that, we’re aware Barney and Robin are on a ticking clock of needing to be headed towards marriage or engaged by spring. How’s that going to work? Or are we just going to not see them date until May? And if that’s the case what will the storyline of the final season (next season, presumably) be? Can they just get together now already? Because while I appreciate the parallel of Robin sexily putting herself out there at Barney’s door and when she came to his door way back in Season 4 during “Shelter Island”, crying and vulnerable, and he turned her down then as well (because Barney seems to self-sabotage anything that’s not Robin genuinely wanting him and not just when she’s feeling needy, which is pretty cute), that really hit it home that this needs to be over already. Robin and Barney need to settle down, Ted needs to solve finding the mother, and this series needs to wind it down.

And Patrice? Seriously? He was on a date with Patrice? NO ONE ASKED YOU, PATRICE.

Most improved: Suburgatory
Remember how terrible I said last week’s Suburgatory was? Well, change that to “delightful” and that’s how great this week’s was. It was like a jumbled, chaotic mess of delight. Ryan finds out he’s adopted, hides with a still-heartbroken Malik and decides to change his name to Eugene Goldfarb! He prints business cards! The wonderful parallel of him losing himself just as Tessa finds herself by realizing maybe having a mom isn’t everything she thought it would be! And so sue me, I’m rooting for those two crazy kids to work together.

My one complaint was that this episode seemed way, way too short. Dalia’s side story about wanting her maid/housekeeper/nanny/stand-in mother Carmen back was sweet, and the viral video she made was frankly delightful, but it almost felt like it deserved its own episode to get a moment to really shine. But seriously, if my only complaint about an episode is that too many awesome things happened? That’s a damn good episode.

Most Underrated Actor: Nat Faxon, Ben and Kate
Can someone please explain to me why everything Nat Faxon says is the greatest thing I have ever heard? Why do I suddenly want to cast him in everything? I don’t get it. It’s not like the other characters or actors on this show are lightweights when it comes to being endearing, and yet something about the way Faxon plays Ben makes me willingly abandon any and all problems I would normally have with his character (too frivolous! too silly! caricature!) and makes him the greatest part of every episode besides Kate’s wardrobe — which I covet shamelessly. But I think the moment that sealed it for me was that, in spite of a very, very strong episode this week, the most I laughed was at the ending tag where Ben just goes around naming trees and then says “take that, Dad! Who can’t name trees now?” (or something to that effect, I forgot to DVR it and it’s not on Hulu yet, work with me.) It shouldn’t have been the funniest part of the episode! It had no right to be! And yet, it absolutely was.

My disappointment with the Emmys has reached mythic proportions, and while my Nick Offerman for Best Actor in a Comedy quest is the hill I will probably die on, I hope and pray that Nat Faxon and his crazy brand of what can only be witchcraft at least get a well-deserved nod.

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Best Wedding – Liz and Criss, 30 Rock
If I had to choose a favorite TV wedding, I should probably say that my favorite is Monica and Chandler’s, or Jim and Pam’s, or Marshall and Lily’s. But as I’ve mentioned before, my stance on weddings is, to put it lightly, highly atypical. And my wedding, should I ever have one, is going to resemble Liz and Criss’ on this week’s 30 Rock far more than anyone in my life probably feels comfortable with.

Look, I’m with Liz (shocker) — the wedding-industrial complex is nuts and I have no desire to have a big party where I have to be nice to people I never wanted to invite and look the most like I a beautiful princess I have ever looked in my life. Weddings, in my opinion, should ideally reflect the couple and the kind of life they want to share with each other. And maybe some people want to share a perfect fairytale life, but that sounds like a lot of pressure to me. Give me a small, personally significant, completely ridiculous and goofy wedding any day, because life is never going to be a perfect fairytale. But if you’re lucky, it will be a fun, silly gathering of close friends who love you, and of course, a few who don’t but are just there for the ride. And let’s be real, who wants to be Cinderella when you can be Princess Leia? No one I want to hang out with, that’s who.

Show Finally Coming Into Its Own - The Mindy Project
I have in my drafts folder the beginnings of an article on how The Mindy Project was both my most anticipated show of the season and also my biggest disappointment, because I could see all the potential it had but it just seemed so scattered and unable to reach it. I kept watching, though, because I like to give shows I see potential in what I call “The Parks and Recreation cushion”, i.e.: six or so episodes to try and find their voice, and The Mindy Project seems to have done that. They seem to have realized that what works best is not trying to occupy every character, but to have a Mindy plot and a B plot, and give Mindy Kaling time to do what Mindy Kaling does best: opine on vaguely girly matters in a down-to-earth, slightly ridiculous way.  For example, on the phone to her BFF: “Gwen, you’re so smart. I wish we were lesbians so we could get married. I mean, I wouldn’t want to have sex or anything. Maybe a little kissing.” Raise your hands if that’s a conversation you and your BFF have had. I’m guessing pretty much every hand just went up.

Most Disappointing Episode - Suburgatory, “Friendship Fish”
I was really in the mood for Suburgatory this week. It was one of those weeks where I was gleefully anticipating Wednesday and watching old episodes on Hulu. But sadly, this week’s Suburgatory fell victim to one of the classic episode ruiners: product placement. Usuually product placement is a throwaway line about a character’s great new car, but this week Tessa’s entire storyline was about her new Windows tablet, and it was terrible. Even George and Dallas’ fun and frankly adorable storyline about George losing his city edge couldn’t make up for a storyline that was so bad it involved a talking fish. I think that should be a new rule of television writing, actually: if your storyline involves a talking fish giving life advice, it’s probably a good idea to do a re-write.

Best Episode of the Week - New Girl, “Eggs”
Here is how you know this episode of New Girl was great; as I sat write this section I reached a dread writer’s block, which I dealt with in the normal way – going to the bathroom, cleaning my gerbils’ cage, and finally sitting there drumming my laptop and saying in my best Nick Miller voice, “I got nothing,” while the Winston voice in my head went, “it’s like you don’t want to write!”

No, Winston voice, sometimes I do not.

Therein lies the genius of this week’s New Girl, it’s relatability. Everyone has written a paper the way Nick wrote Z is for Zombie (which, incidentally, I would give a lot of money to read). Everyone has been Winston, trying to be responsible and settled while their friends are still running around and not respecting their adjusted schedule. Everyone’s been Schmidt and realized too late that they have feelings for someone they never wanted to have. And everyone’s been Jess and Cece, both wanting the future to happen and being terrified of the ticking clock we all try so hard to ignore. And on top of that relatability we got layered in what New Girl is best at: Jess and Cece’s amazing friendship, Schmidt balancing ridiculous with accidentally deep (that sound you heard during the monologue in the gynecologist’s office was the sound of Max Greenfield nominating himself for an Emmy), and tying it all together, the feeling that Jess and her boys in apartment 4D are the strange and wonderful sort of found family that everyone wants to one day find.

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