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Reviews, news and commentary on NBC's The Voice.

Latest episode clacks for this show:

The Voice – If it’s do or die time, it must be the semi-finals

Half the performers on this evening’s show are going to be nixed prior to the upcoming finals. They needed to kill their performances. Did they?

by Michael Noble

Ratings Clack – Worst… Ratings… Ever…

Last week brought a rare sighting to broadcast television, in the form of the lowest rated dramatic premiere ever. Amazingly, that was followed by a renewal for the lowest rated show on another network. Meanwhile, over on cable, the going was also slow for the latest from HBO.

by Brett Love

Common sense isn’t so common on The Voice

When it comes to elimination night and you have an opportunity to shine, do you huff it? No. You do the best you can in order to garner a position of advancement. What’s so damned hard about that? I mean … that’s what you’re competing for … right?

by Michael Noble

The Voice – More quarterfinals, more instant eliminations

Two more coaches get their turns to shoulder the burden of instantly eliminating hopefuls on ‘The Voice.’ Who went this time?

by Michael Noble

Ratings Clack – Things TV doesn’t need? More rookie cops…

This spring continues to be a dark time for all of television, with lows hitting across the board. That didn’t bode well for the premiere of ‘NYC 22′ on CBS. Over on cable, HBO had their own struggles with the premiere of ‘Girls’.

by Brett Love

Things I learned from The Voice live shows, week three

What did I learn from ‘The Voice’ live shows in week three? That I don’t like instant eliminations, who Justin Bieber is, and that the Internet is a crazy powerful thing. Here are thoughts from the red carpet on stage 17 about the stuff you didn’t see.

by Brittany Frederick

The Voice – Where, sometimes, the eliminations make sense

Do you get the feeling monkeys with little push-button electronic boxes are the ones behind the voting process on ‘The Voice?’ Because that sure makes sense to me watching the results shows.

by Michael Noble
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