All passes for this event have been claimed. Please follow @CliqueClack on Twitter for contest alerts, news and reviews.

CliqueClack has partnered with NBC and Allied Integrated Marketing to offer readers in the Baltimore and DC areas an opportunity to attend an advance screening of the new TV series Crisis starring Gillian Anderson and Dermot Mulroney. How far would you go to protect the ones you love? When a group of D.C. high-school students is kidnapped during a field trip, their mothers and fathers, some of country’s biggest power players, are forced to do unthinkable things — like jeopardize national security — to ensure their kids’ safety.

The screenings will take place on Thursday, March 13, 7:30 PM at the following locations:

• AMC Mazza Gallerie, 5300 Wisconsin Ave. NW Washington, DC
• AMC White Marsh, 8141 Honeygo Blvd., White Marsh, MD

A limited number of passes are available for each location on a first come, first served basis. To claim you passes, you must visit GoFoBo.com and enter the appropriate code for your location:

• DC code: CLIQV9TM All passes have been claimed.
• Baltimore code: CLIQU72G All passes have been claimed.

Each person with a seat will receive a coupon for a free small soda and small popcorn.

Copy and paste the code exactly, and download and print your passes. Codes are good for two Admit One passes. Comments will not be accepted for this promotion as passes will be available on a first come, first served basis through GoFoBo, and the offer will end when all passes have been claimed. CliqueClack has no control over the total number of passes available. Seating at the screening is first come, first served so plan to arrive early. Passes do not guarantee you seats, and CliqueClack is not responsible for seating arrangements at the theater.

For more information about Crisis, have a look at the video below. Crisis will begin airing on NBC beginning Sunday, March 16 at 10:00 PM.

//www.youtube.com/watch?v=1h2E3h23Ozs

Drama preview week at CliqueClack is finally coming to an end. Yesterday we added Fox and The CW to the list that already included our previews for ABC and CBS‘s new hour-longs. The week comes to an end with the new slate from NBC. Last year, the peacock did fairly well: three out of the five dramas that premiered (Chicago Fire, Hannibal and Revolution) all will see a second season. With this group, I wouldn’t be surprised if they see the same level of success.

The Blacklist is one of my favorite pilots of the season, breaking the mold of the traditional procedural. I think Crisis and Believe unique shows that might struggle to find an audience. Ironside will probably do well, even though there’s nothing special about it. The Night Shift, on the other hand, leaves me questioning the sanity of NBC’s development team.

Believe (Midseason)

I literally don’t know what to think about Believe. It’s got an incredible pedigree: it was created by Alfonso Cuarón and is being produced by J.J. Abrams’ Bad Robot Productions. Believe‘s success completely depends on the acting ability of young star Johnny Sequoyah and the chemistry she shares with her character’s protector played by Jake McLaughlin. There’s enough talent surrounding them, from Delroy Lindo to Kyle MacLachlan, but from the pilot it is hard to tell how much all of the character’s stories will physically intersect.

Verdict: I’m generally a fan of high-concept stuff like this, but in a year with a lot of it, I’m not sure if shows like Believe will be able to find its niche.

Eight Ball Chances of a Second Season: Concentrate and ask again.

The Blacklist (Mondays 10:00PM)

The Blacklist is easily one of my favorite shows of the new season. It’s so good, it overcomes my growing disdain for procedurals — though you’ve got to admit “criminal mastermind working with rookie FBI profiler to take down the world’s worst criminals” is a little off the beaten path. The first hour gets nearly everything right, from James Spader’s almost-but-not-completely creepy portrayal of Raymond Reddington to the little hints and nods to a greater mythology bubbling right behind the scenes of the story as it plays out.

Verdict: Monday nights at 10:00PM, I’ll be watching this live, baby.

Eight Ball Chances of a Second Season: You may rely on it.

Crisis (Sundays 10:00PM)

Three straight years, Rachel Taylor has starred in a new pilot. I’m seriously hoping that Crisis does better than Charlie’s Angels or 666 Park Avenue did — else I’m going to start a letter writing campaign to Shonda Rhimes to have her brought back to Grey’s Anatomy. I liked Crisis; I liked Taylor and Gillian Anderson and the conspiracy and the way the story evolves into more than you expected it to be. But I’ve got to be honest: there was a lot going on in the first hour; people weren’t who they seemed, motivations were difficult to follow (if they were explained at all) and it is hard not to wonder how long this specific story can sustain itself without having to change significantly. Even though there’s no sci-fi connection, all I could think about while watching Crisis was The Event. While the former’s pilot wasn’t as strong as the later, I’m hoping Crisis will do a better job at evolving into something that can stay interesting week after week.

Verdict: Will audiences want to work that hard at following the story at 10:00PM on a Sunday night? I’m not so sure, but I hope it catches on.

Eight Ball Chances of a Second Season: Reply hazy try again.

Ironside (Wednesdays 10:00PM)

Remember that disdain of procedurals I mentioned earlier? Ironside is the kind of thing I’m talking about. I like Blair Underwood, and a wheelchair bound crime fighter is an interesting twist. But as someone who doesn’t generally dislike remakes/reboots just because of what they are, but it doesn’t feel like there’s anything interesting — or anything new — going on. Even Brent Sexton shows up as the Ironside’s partner before he sued the department for his job back – which might sound familiar to fans of Life, where he also played the ex-partner of the main character who sued the department for his job back.

Verdict: I like Underwood, but I’m just not seeing this finding a place on my DVR.

Eight Ball Chances of a Second Season: Better not tell you now.

The Night Shift (Midseason)

I’m going to be brutally honest: there’s not a lot to like about The Night Shift. There’s certainly enough talent in the cast, which includes Freddy Rodriguez, Jill Flint and Brendan Fehr, and I’ve been a fan of NBC’s previous attempts (Trauma in particular) to recapture the magic that was ER … but I’m just not seeing it here. I’d like to think that this is one of the pilots that we’d have heard was going to be reworked after being picked up, but there’s been no news of that yet. I suspect that The Night Shift won’t end up premiering until next summer, and won’t do well even then.

Verdict: Stay away; far, far away.

Eight Ball Chances of a Second Season: Don’t count on it.

NBC Pilots not yet available to press: Chicago PD (Midseason), Crossbones (Midseason), Dracula (Fridays 10:00PM)