The 2013 Fox fall season is off and running with the premiere of Sleepy Hollow from a bevy of producers including Alex Kurtzman (Fringe), Robert Orci (Xena, Alias, Fringe) and Len Wiseman (the Underworld films), who also directed the pilot. I think, though, that the show was sold as kind of a police procedural with a fish out of water, Ichabod Crane (Tom Mison), somehow transported 250 years into the future — our present — to help solve crimes. And deal with that pesky Headless Horseman. But it turned out to be much more than I bargained for … but probably should have expected considering the pedigree behind it.

Whereas I thought the show was going to be “CSI: Sleepy Hollow,” it’s actually more like a cousin to Supernatural, especially when you see the preview for what’s coming this season. What this definitely isn’t is Washington Irving’s tale of Ichabod Crane. In the original story, Crane is a schoolmaster in 1790 who is trying to win the affections of socialite Katrina Van Tassel, who also has another suitor in Abraham Van Brunt, aka “Brom Bones.” Failing to win Katina’s hand, Crane returns home after a night of ghost stories that play on his imagination. He is confronted by a headless horseman (who hurls his detached noggin at Crane) and never seen again. It’s implied the horseman was Brom as the only things found in the woods are a smashed pumpkin, his horse and a trampled saddle. The locals believe Crane was taken by the evil spirits in the forest.

The very, very basics of the story are present in the series, but Crane is no longer a nervous school teacher (as portrayed not long ago by Johnny Depp in Tim Burton’s Sleepy Hollow). Now he is actually a Brit who switched sides during the Revolutionary War (which sets the story back a couple of decades) and became a spy for General George Washington. Crane beheads a large man dressed as a Redcoat, wearing a strange black mask and with an odd brand on his hand. The Redcoat also succeed in inflicting a fatal wound to Crane, but other forces come into play as Crane awakens in a cave, digging himself out of a shallow grave and into the world of the present. But he’s not alone as the Headless Horseman has followed.

And here’s where things get even more strange. After several decapitations, most notably of the big name guest stars, the town’s police force (led by Orlando Jones) begins to believe that Crane is not the killer, especially when he’s in the custody of Lt. Abbie Mills (Nicole Beharie) at the time of the murder of a local reverend … who Crane somehow recognizes from 1776. Crane is committed to a mental hospital for observation, but is visited by his wife Katrina (yes, that Katrina) in a dream or vision and it’s revealed that this is not going where we thought it was going.

Turns out Katrina was tried and burned as a witch, the police chief (Clancy Brown) had hidden away files of investigations into supernatural occurrences in Sleepy Hollow, and the Headless Horseman in the Redcoat uniform was actually Death himself, preparing for the coming of the other three Horsemen of the Apocalypse! Now, instead of a police procedural, Sleepy Hollow has become a battle against good and evil in an attempt to stave off the end of the world. My interest level in the show certainly spiked at this point, and the previews of various demons and monsters to come will have me glued to the TV as long as they can keep it interesting. The Winchester boys have put the Apocalypse on hold once already, so now it looks like the future of the world is in the hands of one Ichabod Crane.

The pilot episode has set up the series’ mythology pretty well, just giving us enough enticing morsels to keep us coming back for more, and have hinted through a line of dialogue that there is a seven season plan in the works. Will the show actually survive that long? I believe it does have a shot, especially since Fox didn’t stick it in the Friday death slot. The main cast is engaging even if Mison’s Crane is a little too aware of the world around him. Some comments about Lt. Mills being a black female officer … and an emancipated one at that … could have been eyebrow-raising, but Beharie’s response to the potentially sexist and racist comment defused the situation. While Crane is still unfamiliar with the modern gadgets that surround him, and how the town has changed in 250 years (asking if there is a law that requires a Starbucks on every corner!), he’s not quite the complete fish out of water that I expected. He seems to fit right in, even though he’s still dressed in 1776 garb by the end of the episode, and is still fascinated with the power windows in Mills’ vehicle.

I like Beharie’s sass, and the episode revealed that Mills also has a sister and they are all connected to Crane by the same vision of the Four Horsemen. Mills and Crane are pretty much the Sam and Dean of the show. Jones is the stereotypical skeptic, but as heads keep rolling he has no choice to but allow Mills and Crane work together. We’ll see how long he’ll remain skeptical. I can see him becoming the Broyles of the show (fitting coming from the Fringe team). We haven’t met many other regular cast members as most of the supporting players were dispatched in the pilot, but we can assume we’ll see Katrina as a recurring character to deliver more clues to Ichabod, as well as Abbie’s sister.

Production design on the show was spectacular, with the town of Sleepy Hollow having a real New England feel to it and some beautiful aerial shots of the town … even though the series is filmed in North Carolina. The Headless Horseman is also very well done, looking proportioned properly (not just built up shoulders to hide the stuntman’s head underneath the costume), and the beheadings are handled tastefully and without a ton of blood (the blade is apparently heated — as the Horseman is a demon — so that the wounds are instantly cauterized), but still manage to make you gasp when one happens on camera.

Once the show revealed itself to be more of a supernatural thriller than oddball police show, I was hooked. If they do have a seven year plan mapped out with a beginning, middle and end then, based on the pilot, I’m ready to immerse myself in this world to see how it all plays out. The question is, will this be another Fringe-like show on Fox with a small but loyal following, or will the masses tune in to see if the world will be saved in seven years’ time? What do you think?

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So far this week, CliqueClack has previewed the new upcoming drams from ABC, CBS and The CW. We’ll be finishing up the week with both Fox and NBC’s new offerings. Fox developed quite a bit more this year than last, where only The Mindy Project and The Following survived from the slate (The only other drama, The Mob Doctor premiered to horrid ratings and was put out of its misery in short order). The four new dramas this year are diverse, though do fit in to the “high concept” craze that affected all of the networks.

I was particularly impressed with Sleepy Hollow, probably because I came in with no expectations whatsoever. Almost Human is a show I was destined to love. Rake will probably do well enough, but I’ve got some questions about Gang Related.

Almost Human (late Fall — after baseball)

A year or so ago, I was complaining about the distinct lack of science fiction programming on network television. Looking at this year’s slate of new shows, it looks someone was listening in on my conversation NSA-style. Almost Human is a show that was built for me to like: Sci-Fi? Check. Actors I really like (Karl Urban, Minka Kelly, Michael Irby)? Check. J.J. Abrams nerd quotient? Check. Michael Ealy in particular stands out; I’m not sure we’ve seen this level of a well-conceived android character since Brent Spiner’s Data.

Verdict: I think there’s enough “special” in the first hour to reach a wider audience but, like I said, I’m the show’s demographic so I’m probably a bit biased.

Eight Ball Chances of a Second Season: As I see it yes.

Gang Related (Midseason)

I think if Gang Related premiered 11 years ago, it would be called The Shield. In 2013 however, it isn’t nearly as gritty as it would have been years ago. There’s really only two reasons to watch this show: Terry O’Quinn and Cliff Curtis. TV fans are likely much more familiar with O’Quinn’s work after Lost, but Curtis has done some phenomenal under-the-radar work in a couple of roles in the past couple of years, especially NBC’s Trauma. Beyond those two, however, there was little that earned my interest in the first hour; the “double-agent” aspect that’s been played up in the show’s previews wasn’t nearly as interesting as it should have been.

Verdict: Yeah … not so much.

Eight Ball Chances of a Second Season: Very doubtful.

Rake (Midseason)

I know Rake is an Americanized version of an Americanized version of a popular Australian show — which is apparently loosely based on a real guy — but it feels like it is supposed to be a spin-off of House, MD. Just trade doctors for lawyers and drug addiction for a gambling problem, rinse and repeat. However, the pilot does have two very good things going for it: the “case of the week” is as unique has anything you’ll see on network television, and the defendant is played by the always-great Denis O’Hare. I’m also interested in how the show is going to be exploring Rake’s relationship with the myriad women in call-girl Nikki.

Verdict: I haven’t been truly interested in a lawyer show since Eli Stone went off the air, and Rake certainly shares Stone‘s love of quirk. I’ll probably give it a short leash. However, I think audiences will like it much more than I did.

Eight Ball Chances of a Second Season: Signs point to yes.

Sleepy Hollow (Mondays 9:00PM)

Other than ABC’s Betrayal, Sleepy Hollow was one of the biggest surprises of the whole slate. I went in with no expectations; I wanted to like Grimm but wasn’t really able to connect with it, and I expected the same from Hollow. Considering how the story spans history — Ichabod Crane and the Headless Horsemen have been mysteriously transported to our present — the pilot shows considerably more “depth-of-mythos” than most new shows generally attempt in their first episode. There’s also a Di Vinci Code quality to the story, which includes witches and George Washington (Yes, that George Washington).

Verdict: More than anything, this is a show I didn’t think that I’d watch but now will probably give it a full season to convince me otherwise.

Eight Ball Chances of a Second Season: Reply hazy try again.