Yesterday, at the end of a very long day of San Diego Comic-Con festivities, I shared the highlights of the con’s first jam-packed day.. It was jammed packed, and I was especially appreciative of getting to see the Ender’s Game and Divergent panels in the usually difficult to get into Hall H.

Friday was a much different day. I spent the majority of the day in press rooms, talking to the creators and casts of The 100, The Following and The Blacklist. As planned, Keith and I also attended the Veronica Mars Fan Event – which I live-tweeted at CliqueClackTV – which was pretty awesome. The big surprise of the day was getting a last-minute opportunity to sneak into Hall H for the Game of Thrones panel.

As with yesterday, I just want to go over some of the highlights of the day. Next week when I’ve had more time to process them, I’ll post videos from the roundtable interviews I participated in.

• After two – and a half I guess – years of attending Comic-Con, I finally participated in one of fellow Clacker Michael Noble’s most treasured San Diego traditions: breakfast at Perry’s Café. It’s a little off the beaten path – and certainly not within walking distance of downtown – but my pancakes were outstanding.
• The 100 (Pronounced, for clarification as “the hundred” and not “the one-hundred”) pressroom was first up. It’s always a nice treat when there is a member of the cast there that you didn’t expect, and I wasn’t aware that Isaiah Washington would be joining us. He had some interesting perspectives on his character, especially in the context of President Obama, whose campaigns he’s helped with in the past.
• Next up was The Blacklist which, along with The 100, is one of my favorite pilots of the new season. I spoke with Diego Klattenhoff – who made a comment while in the press line reminding us that he was in Mean Girls – and Megan Boone, who is sure to be one of the breakout new stars this year.
• I’ve been fortunate enough to see the Game of Thrones panel now two of the three years I’ve been at the con. Sadly, the year I missed was the one year they were able to announce casting for the upcoming season. The panel was great, but looking at the actors that were on the dais, the only thing running through my head was, “Dead, dead, going to die, dead, going to die.” The hilariously prepared “In Memoriam” video of all of the characters – including “Baratheon Soldier #680” – probably put me in that mindset. Update: Look what the official Game of Thrones YouTube account just shared:

//www.youtube.com/watch?v=9m4ZPULXJKw

• Last year, The Following’s pressroom was one of my favorites. This year, we had the bonus of having Valorie Curry in attendance. She clarified that last year, while she was at the con promoting the final installment in the Twilight series, she was asked to stay far away from this pressroom for Spoiler’s sake (While I would have love to have spoken with her then, it would have ruined a pretty great reveal in the pilot).
• A long time ago, we used to be friends … with a show called Veronica Mars. The Kickstarter campaign has re-launched the fanaticism. While there was no way I’d be able to make it into the show’s Hall H panel first thing this morning, I did fund in Kickstarter to a level that guaranteed me a seat. Hopefully, I’ll be able to dedicate a full post to the goings on at the event, but in the mean time check out the official sizzle reel Rob Thomas featured at both events embedded below.

• Finally, I guess you’re probably looking for an explanation about the picture at the top of this post. Sadly, I’m not going to be able to provide one for you. There’s just some things that you just have to come to Comic-Con to understand. I will say, if you’re wondering — and I know you are — that my sweet Cap shirt is available here (Hat tip to my buddy Jason Fitchko who did the art) … or, I mean, whoever that masked man wearing the cool shirt is, because it isn’t me. Not even a little

//www.youtube.com/watch?v=LVJhjV3EOY4

Drama preview week at CliqueClack is finally coming to an end. Yesterday we added Fox and The CW to the list that already included our previews for ABC and CBS‘s new hour-longs. The week comes to an end with the new slate from NBC. Last year, the peacock did fairly well: three out of the five dramas that premiered (Chicago Fire, Hannibal and Revolution) all will see a second season. With this group, I wouldn’t be surprised if they see the same level of success.

The Blacklist is one of my favorite pilots of the season, breaking the mold of the traditional procedural. I think Crisis and Believe unique shows that might struggle to find an audience. Ironside will probably do well, even though there’s nothing special about it. The Night Shift, on the other hand, leaves me questioning the sanity of NBC’s development team.

Believe (Midseason)

I literally don’t know what to think about Believe. It’s got an incredible pedigree: it was created by Alfonso Cuarón and is being produced by J.J. Abrams’ Bad Robot Productions. Believe‘s success completely depends on the acting ability of young star Johnny Sequoyah and the chemistry she shares with her character’s protector played by Jake McLaughlin. There’s enough talent surrounding them, from Delroy Lindo to Kyle MacLachlan, but from the pilot it is hard to tell how much all of the character’s stories will physically intersect.

Verdict: I’m generally a fan of high-concept stuff like this, but in a year with a lot of it, I’m not sure if shows like Believe will be able to find its niche.

Eight Ball Chances of a Second Season: Concentrate and ask again.

The Blacklist (Mondays 10:00PM)

The Blacklist is easily one of my favorite shows of the new season. It’s so good, it overcomes my growing disdain for procedurals — though you’ve got to admit “criminal mastermind working with rookie FBI profiler to take down the world’s worst criminals” is a little off the beaten path. The first hour gets nearly everything right, from James Spader’s almost-but-not-completely creepy portrayal of Raymond Reddington to the little hints and nods to a greater mythology bubbling right behind the scenes of the story as it plays out.

Verdict: Monday nights at 10:00PM, I’ll be watching this live, baby.

Eight Ball Chances of a Second Season: You may rely on it.

Crisis (Sundays 10:00PM)

Three straight years, Rachel Taylor has starred in a new pilot. I’m seriously hoping that Crisis does better than Charlie’s Angels or 666 Park Avenue did — else I’m going to start a letter writing campaign to Shonda Rhimes to have her brought back to Grey’s Anatomy. I liked Crisis; I liked Taylor and Gillian Anderson and the conspiracy and the way the story evolves into more than you expected it to be. But I’ve got to be honest: there was a lot going on in the first hour; people weren’t who they seemed, motivations were difficult to follow (if they were explained at all) and it is hard not to wonder how long this specific story can sustain itself without having to change significantly. Even though there’s no sci-fi connection, all I could think about while watching Crisis was The Event. While the former’s pilot wasn’t as strong as the later, I’m hoping Crisis will do a better job at evolving into something that can stay interesting week after week.

Verdict: Will audiences want to work that hard at following the story at 10:00PM on a Sunday night? I’m not so sure, but I hope it catches on.

Eight Ball Chances of a Second Season: Reply hazy try again.

Ironside (Wednesdays 10:00PM)

Remember that disdain of procedurals I mentioned earlier? Ironside is the kind of thing I’m talking about. I like Blair Underwood, and a wheelchair bound crime fighter is an interesting twist. But as someone who doesn’t generally dislike remakes/reboots just because of what they are, but it doesn’t feel like there’s anything interesting — or anything new — going on. Even Brent Sexton shows up as the Ironside’s partner before he sued the department for his job back – which might sound familiar to fans of Life, where he also played the ex-partner of the main character who sued the department for his job back.

Verdict: I like Underwood, but I’m just not seeing this finding a place on my DVR.

Eight Ball Chances of a Second Season: Better not tell you now.

The Night Shift (Midseason)

I’m going to be brutally honest: there’s not a lot to like about The Night Shift. There’s certainly enough talent in the cast, which includes Freddy Rodriguez, Jill Flint and Brendan Fehr, and I’ve been a fan of NBC’s previous attempts (Trauma in particular) to recapture the magic that was ER … but I’m just not seeing it here. I’d like to think that this is one of the pilots that we’d have heard was going to be reworked after being picked up, but there’s been no news of that yet. I suspect that The Night Shift won’t end up premiering until next summer, and won’t do well even then.

Verdict: Stay away; far, far away.

Eight Ball Chances of a Second Season: Don’t count on it.

NBC Pilots not yet available to press: Chicago PD (Midseason), Crossbones (Midseason), Dracula (Fridays 10:00PM)