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Fringe’s complex character dynamics are a step above the rest

Most television shows would collapse under the weight of such complex character dynamics, but 'Fringe' is built on them. Audiences should be appreciative of a show that rewards those who pay attention.

- Season 4, Episode 18 - "The Consultant"

If there is a show on television today that drives to a season finale, ramping things up to the Nth degree as well as Fringe does, I’m not sure what it is. In fact, I’m not sure I can point to a show that I didn’t appreciate in its first season that I’ve fallen so completely in love with since (Maybe if Dollhouse had gotten to the crux of its story sooner, it would have grown enough of an audience that we could have seen where it was going). Some will point to this particular episode as filler and setup for the end of the season, and I won’t necessarily disagree. But, I’d challenge you to point to a show whose setup and filler episodes are as interesting and thought-provoking as “The Consultant.”

If we can trust everything we learned tonight, we now know Robert David Jones’ endgame. While I wish we’d been offered more evidence of the Bridge’s success along the way this season, it seems that Peter’s sacrifice – as temporary as it might have been – wasn’t in vain. We had seen some the evidence of this last week, but when the season’s big bad sets his sights on destroying something, you know that the white hats had done something right in creating it in the first place.

Except … that can’t be Jones’ true endgame, right? Sending in Alt-Broyles to plant a device to disrupt the Machine could theoretically dissolve the growing balance and eventually destroy both worlds. What does anyone have to gain from a collapse of one (or both) universe(s)? Jones is too logical of a person to work against his own self-interest, right? If he is serving someone — and let’s face it: I’m not sure I can accept the fact that Jones is the ultimate mastermind and antagonist behind everything we are seeing – then he has to believe that he is going to be living large in whatever epilogue he envisions to this story.

When one takes a step back and looks at the Fringe story as a whole, it is an incredibly complex and layered text. One of the big payoffs for fans of the show is the dynamics between the multiple versions of the various characters. Take for instance Alt-Broyles’ conversation with Walter. Long time fans of the show are able to contrast the consequences of Walter’s decision to save young Peter with Alt-Broyles’ situation with his son. We’ve seen very little of this Broyles that would endear him with fans, but we do know some version of the history with his son. Regardless of the exact details in this reality, the audience is able to connect with this character and not necessarily completely damn him for his actions, now that we understand his motivations. A lesser show would have to be much more blunt with its storytelling than Fringe is able to be, because it has created these character “anchors” and trusts us to understand them.

On a different note, FOX still hasn’t leaked any news about a potential Fringe renewal. It’s currently hanging out in second place in our Curb the Cancellation poll – only in second because Pan Am fans rock! Word came down earlier this week that FOX had renewed New Girl, Raising Hope and Glee, but nothing on their more “on-the-bubble” shows. In a completely non-Fringe-science-tific poll I conducted on the internets, most people kinda-in-the-know seem to think there is, in fact, a fifth season in store for our favorite two (three? four?) multi-universe FBI teams. I’ve got my fingers crossed.

Notes & Quotes

  • Any funeral scene done well is heartbreaking, but Astrid and (our) Lee were a lovely touch at this one.
  • “It’s your world you ought to be concerned about. Because as bad as you think things are now, things are going to get much worse.” – Alt-Nina
  • “It’s a miracle we arrived in one piece; you drive like a daredevil.” – Walter
    “For the eleventh time, Walter, I drive the speed limit.” – Astrid
    “Most automobile fatalities occur driving between work and home.” – Walter
    “So does most driving.” – Astrid
  • [Walter removes a body part from his bag] A hand?” – Fauxlivia
    “I removed it from one of the victims on our side.” – Walter
    “You couldn’t bring casserole but a severed hand is OK?” – Lee
  • When Fauxlivia said that her universe didn’t have a “black box,” was anyone else expecting their side to call it an “orange box?”
  • Domesticated badgers, really, as pets? This could have been a quote, but I was left questioning it to the same extent as Walter.
  • The iPad must have made things MUCH easier for the prop guys on this show when they have to tackle the alternate universe.
  • The other side doesn’t have Sherlock Holmes? I’m not sure how Katie and Julia could get through the day.
  • Drunk Fauxlivia and Walter in a her housecoat might be my favorite on-screen pairing of all time.

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Photo Credit: FOX

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6 Responses to “Fringe’s complex character dynamics are a step above the rest”

April 14, 2012 at 2:11 AM

I don’t even know what to really say about the latest revelations that Fringe has offered us. It’s all “filler” if you ask me.

Everything we’ve been “rewarded” with in the past few weeks feels like quick solutions that were plucked out of the air. Solutions born out of necessity rather than creativity just because the writers didn’t want to face the wrath of fans complaining they didn’t get any answers.

April 15, 2012 at 12:04 PM

The split-universe premise is an awesome opportunity to see the terrific range of some terrific actors.

I thought the revelations vis-a-vis Peter’s real universe were too obvious, and too long in coming. I never bought all the “this is not my universe/my Olivia” drivel, after they had thoroughly established that Peter erased himself with the machine. But the human love-connection bond was too strong and he re-emerged.

I started getting frustrated when no one interviewed Peter, subsequent to his rebirth. Even if I buy the excuse that Walter and Olivia were too off-put by dreams of Peter to communicate with him subsequent to his emergence, and super-smart Peter to timid to act, Broyles should have insisted on an extensive de-briefing of this mysterious man who knew myriad intimate details of Fringe Division.

If Fringe doesn’t get another season I’m gonna be pissed, because they pissed this one away playing Quantum Leap.

April 14, 2012 at 2:42 AM

Haters gonna hate. “Big” Freddy.
Loved it. Thanks Ivey.

April 16, 2012 at 11:38 PM

Regarding Jones’ endgame, I don’t think it is simply to collapse both universes. Guided evolution has been an ongoing theme of the show – attempts to improve upon the human race by giving them superpowers or turning them into mutants or whatever. Jones obviously has something in mind along those lines. Maybe creating a new and improved version of humanity that can survive (or be born from?) whatever cataclysmic event he is trying to bring about? Yeah, I really have no idea what he’s up to, but this is my impression.

April 16, 2012 at 11:40 PM

I know most people probably know the mythology better than I do, but is there any proof that collapsing the universes will result in anything being left over?

April 17, 2012 at 9:42 AM

I don’t know. I mean, we had no idea what would happen when Peter went in the machine (or at least I didn’t). I thought maybe the two universes would merge into one, or that one would be destroyed, but in the end Peter was erased from the timeline. Never saw that coming. So I don’t know how we’re supposed to guess what would have happened if Broyles had followed Jones’ instructions – the universes collapsing, what does that even mean? What does that look like? Your guess is as good as mine, but I don’t think it means that everything just disappears.

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